How Does God Except Us Born Again

Watched past almost a billion viewers across all five continents, the 2012 Olympic ceremonies were, for a few hours, the focal bespeak of the world. As is the case for most high-profile media events, the world elite's messages, symbols, and agenda were function of the evidence. We'll look at the occult symbolism of the opening and closing ceremonies of the 2012 London Olympics.

Olympic ceremonies are often amidst the most watched TV events on the planet. They are an infrequent chance for the host countries to showcase their greatness through a grandiose, elaborate and massive show. The 2012 London Olympics were no exception as England's history, civilisation and accomplishments were thoroughly celebrated and applauded. Some moments were one thousand, others were funny; some were dark and even disturbing. Other moments were highly symbolic, reflecting the calendar of the occult elite. Given that London is one of the power capitals of the world, it would accept been more surprising if the symbolism and philosophy of the global elite had non been infused throughout the ceremonies.

Of course, not everything was symbolic in that sense and non everything was in-your-face up, but over the course of the several hours that the ceremonies lasted, a practiced deal of symbolism was communicated to billion of viewers around the earth. Let'southward wait at the near symbolic moments of the 2012 London Olympics.

Opening Ceremony

The ceremonies were designed and coordinated by Danny Boyle, managing director of the movies Trainspotting and Slumdog Millionaire. Entitled Isles of Wonder, the opening ceremony focused on the history of England and the actors that influenced it. The journeying began in aboriginal and mythical England and then traveled through the industrial revolution, ending in modern times. The story was told using specific symbols and references that recall the occult side of Cracking United kingdom of great britain and northern ireland.

Green and Pleasant Country

The show begins in pastoral England, complete with farmers and cricket players. There are also many symbols alluding to its ancient mystical lore. The focal indicate of the show is a loma that is said to take magical properties: Glastonbury Tor.

The mythical spirally hill named Glastonbury Tor overlooks pastoral England. This recreation of the Tor is topped past a behemothic oak tree, a tree considered sacred by Celtic Druids and representative of the Supreme Deity.

Glastonbury Tor is one of the oldest sacred sites in England. Believed to be at the intersection of powerful ley lines, the Tor is related to many mystical stories and legends. For example, it is idea to exist Avalon from the legend of King Arthur and his 12 knights, a story that is esoterically associated with the sunday and the twelve signs of the zodiac. Some other fable claims that Joseph of Arimathea, the neat uncle of Jesus Christ who was a tin can merchant, brought young Jesus on a trip to Glastonbury. He after came dorsum to the site and threw the chalice used by Jesus during the last supper (the fabled Holy Grail) in Chalice Well – an expanse of Glastonbury said to accept magical powers. Archeologists have also discovered that the construction of the Glastonbury abbey involved sacred geometry "known by the builders of Egyptian pyramids" and passed down through societies of stonemasons (the originators of mod Freemasonry).

The "real" Glastonbury Tor, topped by St. Michael'southward Church. The hill is the site of Christian pilgrimages and seasonal rituals good by ritual magicians, witches, pagans, and of diverse occult and spiritual festivals.

The presence of Glastonbury Tor in the Olympic stadium provides a definitively mystical and esoteric undertone to the opening ceremonies.

While countrymen piece of work the country and run around maypoles (which incidentally bear a catholic and phallic occult meaning), a young boy in the crowd stands up and sings part of a classical English hymn, William Blake'due south Jerusalem.

William Blake is often described as a "visionary" whose creative works were heavily inspired by Druidism, Gnosticism, and Freemasonry (his depiction of the "Chiliad Geometrician" holding a Masonic compass is above the Rockefeller Eye in New York). While some of his creations had Christian connotations, they were oftentimes told from a Gnostic and esoteric point of view. Jerusalem refers to the apocryphal story described in a higher place of Jesus visiting the "green and pleasant state" of Glastonbury with his nifty-uncle, Joseph of Arimathea.

And did those anxiety in ancient fourth dimension

Walk upon England'south mountains light-green?

And was the holy Lamb of God

On England's pleasant pastures seen?

And did the Eyebrow Divine

Shine forth upon our clouded hills?

And was Jerusalem builded here

Among these night Satanic Mills?

The verse form asks if Jesus walked in England and founded New Jerusalem (every bit described in Revelation) among these "night Satanic Mills". This enigmatic expression is said to refer to England's industrial revolution and the nighttime buildings that came with it.

Coincidentally, the next part of the opening ceremonies describes simply that: The structure of "dark Satanic Mills".

The Industrial Revolution

After the singing of the hymns, men in meridian hats, enter England'due south Green and Pleasant land and bring almost important change.

The men in top hats survey the state and milkshake hands. This pocket-size elite group will coordinate the industrial revolution and get the masses to piece of work.

The top-lid guys are lead past civil engineer Isambard Kingdom Brunel, who stands at the base of the Tor and requite a speech quoting Shakespeare'south The Tempest. The oak tree then rises from the ground and hundreds of workers emerge from nether the Tor and brainstorm transforming England'south landscape.

At this point, there are a few facts that deserve to be pointed out. Commencement, the legend of King Arthur stipulates that the tiptop of the Tor provided entrance to Annwn, the ancient word for the Underworld. 2nd, the official proper name of the segment nearly the industrial revolution is Pandemonium, which is the name of the capital of Hell in Milton's classical work Paradise Lost. These clues bespeak that London did non get New Jerusalem (a metaphor for sky) as stated by Blake's hymn, merely literally hell on earth. And all of this pandemonium was brought almost by a scattering of elite men who got thousands of workers apparently sally from the underworld and build industrial England.

Peasants of the country worked in hellish conditions to bring to reality the elite'due south vision.

Information technology is now an established fact that the bringing down of monarchies and the push for industrial revolution during the 18th century was heavily influenced past Secret Societies such as the Grand Orient Freemasons and the Bavarian Illuminati, who chosen for an "unshackling of scientific discipline" and a "new age of Reason". The men in peak hats analogous the transformation tin can, therefore, exist associated with the secretive groups that historically engendered a new economic, political and social arrangement during the 18th Century.

The unfolding of "Pandemonium" is depicted using two very distinct groups: Elite "thinkers" who make up one's mind and oversee the project and "workers" who work in the field and have orders. All of this happens in the Olympic stadium, which is surrounded by giant triangles with illuminated capstones – a classic symbol representing an aristocracy ruling above masses.

The concluding product of Pandemonium is one big messy grey mass full of "Satanic mills" and 7 phallic chimneys spitting out smoke.

Go out the Kids Alone

The next of import sequence of the ceremony paid tribute to the National Health Service (NHS) and Great Ormond Street Infirmary (GOSH). The gear up combined sick kids on hospital beds with characters from English children's literature and had a very foreign and dark undertone from the outset, when it began with the theme from The Exorcist, which is, in example y'all don't know, a movie about a child possessed by the Devil. Odd option.

The sequence begins with children on infirmary beds who become put to slumber by nurses. And then J.G. Rowling appears and reads a quote from Peter Pan alluding to Neverland, which becomes real in the "two minutes before you go to slumber". I couldn't say if that was washed on purpose, but many elements of this set, mostly the mix of vulnerable children in a infirmary with fairy tales and the concept of blurring the lines between reality and fiction, are all associated with mind control programming. Like the Wizard of Oz and Alice of Wonderland, the story of Peter Pan is heavily used in mind control programming as victims are told to escape to "Neverland" while inducing dissociation from reality.

A child reading Peter Pan. On the folio, we see a scary Helm Hook standing next to … a kid strapped to a bed? According to Franz Springmeier, Monarch programming uses a technique called "Peter Pan Programming", in which Helm Claw represents the handler.

Later on J.Yard. Rowling's appearance, hordes of ghouls and villains from English literature enter the stage, running after the children and scaring the crap out of them.

As if under the spell of this gigantic figure of Lord Voldemort, this young girl's bed hovers high above the ground. Does this correspond dissociation engendered by intense trauma?

While the evil characters run after the children, the nurses are completely immobile and powerless as if declaring "Wellness workers can do cypher when the aristocracy's heed command is happening behind closed doors".

Luckily, a whole bunch of Mary Poppins wing down and shoo abroad the scary characters. Then, a rather creepy giant babe appears on stage.

Is it just me or does the giant baby have a large "separation" on the forehead?

The odd combination of children in a hospital and fairy tales might take been a clever way to combine two important aspects of British culture. Information technology tin can also be a sick manner of referring to Monarch mind control. On that notation, let's bring out Mr. Edible bean!

Bide With Me

Right before the Parade of Nations, the ceremony presented a dark segment that confused and disturbed more than than a few viewers. Supposedly defended to victims of the 7/seven London Bombings, it had the feel of a night ritual. Too, once more, we run into an innocent kid being preyed upon past nighttime forces. Despite the fact that the Christian hymn Abide With Me was playing in the background, the performance had an eerie feel, equally if we were witnessing some kind of occult kid sacrifice.

The set begins with a group of performers feverishly dancing nether a giant orangish brawl resembling the dominicus orb. And then a young boy appears, looking somewhat lost and dislocated. One of the dancers approach the boy and looks to take something precious from him.

The dancer takes from the young boy an imaginary ball, which can represent his life force or perchance his soul.

Once the dancer takes the kid's soul, he taunts him with information technology and takes it away from him. The male child attempts to take information technology back simply it is no utilize, he cannot do it. Apparently drained and resigned, the male child embraces the dancer who stole his soul.

The boy hugs the man who preyed on him and is ultimately integrated into the "dark side".

At the end of the set, the child is at the center of the dancers and raises his hands in the air every bit if saying "I am reborn with the nighttime side". On that creepy, disturbing annotation, allow's bring out the athletes!

Nations and Flames

Equally it is always the example, the Parade of Nations is washed in a very orderly fashion, with each country entering the stadium separately, in alphabetical order (we'll meet how it contrasts with the endmost ceremony). Each flag was then placed at the feet of the Tor and the magical oak tree.

One time that was accomplished, the anniversary then focused on the omnipotent torch and the "fire that never dies". The occult symbolism behind the torchbearer carrying the Olympic flame was discussed in my article  London 2012: The Olympic torch relay and Prometheus then I won't dwell on that aspect, though it is very significant.

The show concluded with the lighting of the Olympic cauldron which was composed of petals representing each nation nowadays during the Olympics.

Viewed from above, the Olympic Stadium resembled a gigantic centre whose student was being lit.

Combined with the ever-present pyramidal structures around the Stadium, the effect became 1 large tribute to the Illuminati elite. Two weeks later, the closing ceremony took the Illuminati symbolism to another level.

The Closing Ceremony

Contrary to the opening anniversary that reflected on the by, the closing anniversary looked towards the future … equally envisioned past the elite. Not unlike the opening anniversary, it featured a whole lot of British music and I am pretty sure that tape companies paid meridian dollar to have their artists perform on this unique globe stage. I'll skip the music performances and focus on the core message of the closing ceremony: Celebrating the Illuminati'south New Globe Guild.

Praise Illuminati

Contrarily to the opening anniversary, the endmost ceremony was all virtually nations blending together into i behemothic global customs – i of the goals of the New World Order. While, at the beginning of the games, athletes entered the stadium behind their national flag and a banner bearing the proper name of their countries, all of that was gone at the closing ceremony. Everyone was mixed together.

We then witnessed a weird segment.

Performers used blocks to build a pyramid at the heart of the phase…and began literally revering it.

"We all lay down before the almighty Illuminati pyramid". This Illuminati blatant-ness lasted several odd minutes.

Imagine

Musical performances began with a specific song, John Lennon's Imagine, and a specific poetry from it – which was considered, by some observers, to be somewhat out of place in the context of the Olympic ceremony.

Every bit if to emphasize the words said in that verse, John Lennon was shown singing it.

Imagine there'southward no countries
Information technology isn't hard to exercise
Nothing to impale or die for
And no religion too
Imagine all the people living life in peace

Yous, you may say
I'yard a dreamer, but I'chiliad non the only i
I promise some mean solar day you'll join us
And the globe volition be as ane

Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of human being
Imagine all the people sharing all the world

Nether the cauldron representing all countries joined together "as ane", young children sing Imagine.

In the context of the Olympics, where people come from all countries and all religions, this poesy was a little out of identify. More than importantly, no countries, no religions, no possessions and "a earth as one" is a good way to depict the global system the elite is trying to create with the New World Guild. Was Lennon envisioning a secretive group of politicians and bankers creating his perfect globe? Probably non. Simply when you become killed past an MK-Ultra patsy, the aristocracy tin can pretty do what it wants with your work and image.

Let's Worship Fire for, Like, a Half an Hour

After a bunch of performances (featuring a whole lot of Jessie J for some reason), the ceremony heavily focused on the Olympic cauldron. Before it is extinguished, information technology slightly opens upwardly and a fiery phoenix appears higher up it.

As if emerging from the fire produced past the petals (representing Nations of the globe), a phoenix appears above the cauldron.

The symbol of the phoenix, the bird that is reborn from its ashes, is extremely of import to occult undercover societies and, consequently, to the occult aristocracy.

"The phoenix is the most celebrated of all the symbolic creatures fabricated by the ancient Mysteries for the purpose of concealing the smashing truths of esoteric philosophy. (…) Mediæval Hermetists regarded the phoenix as a symbol of the achievement of alchemical transmutation, a process equivalent to human being regeneration. The name phoenix was besides given to one of the secret alchemical formula. (…) In the Mysteries it was customary to refer to initiates as phoenixes or men who had been born once more, for only as physical birth gives man consciousness in the physical world, and then the neophyte, afterwards ix degrees in the womb of the Mysteries, was born into a consciousness of the Spiritual earth. This is the mystery of initiation to which Christ referred when he said, "Except a homo be born again, he cannot see the kingdom of God" (John iii. 3). The phoenix is a fitting symbol of this spiritual truth."
– Manly P. Hall, Secret Teachings of All Ages

While the phoenix represents spiritual rebirth on an individual level, it can as well represent the rebirth of the entire world from its ashes – as a New World Club.

This gigantic mural situated inside the Un's Security Council Sleeping accommodation in New York features a phoenix rising from a earth in ashes.

Right after the bogeyman of the phoenix higher up the Olympic cauldron, the boy band Take That performed a vocal with a rather symbolic title, considering the context: Rule The World.

With a phoenix ascension to a higher place all nations every bit a backdrop, Take That sings "Dominion the World". This is getting pretty blatant.

After the song, a bunch of ballet dancers dressed as phoenixes hopped effectually, as if revering and giving tribute to the fiery bird in a higher place them.

Praising the phoenix in a ritualistic and celebratory manner.

At midnight, the Olympic cauldron and the petals representing each country are slowly extinguished, only the phoenix, representing the occult elite and the New World Gild, stays lit in a higher place it. In other words, every bit the nations of the world slowly disappear, a New World Lodge volition emerge. On that annotation, let's listen to The Who!

In Conclusion

Olympic Ceremonies traditionally showcase the host Nation'due south history and culture but also celebrates those behind the games: the occult elite. Since London is a power capital of the world with a rich occult history ranging from the Knight Templars to influential Masonic lodges, and not forgetting prominent occultists advising the royals such as John Dee and Sir Francis Bacon, is it surprising to come across this aspect of History being referred to in a symbolic affair?

While obviously not everything during Olympic ceremonies related to Illuminati symbolism, in that location were plenty of elements inserted throughout to become the message across. In the stop, the Olympic games, like many other media events, turned into a worldwide mega ritual jubilant the goals and the symbolism of the world elite. On that note, let's bring out the Spice Girls!

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Source: https://vigilantcitizen.com/vigilantreport/the-occult-symbolism-of-the-2012-olympics-opening-and-closing-ceremonies/

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